E 6th Added 9th
E6add9
Notes
E · G♯ · B · C♯ · F♯
Intervals
- RootE (1P)
- Major 3rdG♯ (3M)
- Perfect 5thB (5P)
- Major 6thC♯ (6M)
- Major 9thF♯ (9M)
Fretboard

Adjust labels, frets, and palette in the interactive view.
Voicings & shapes
6/9 voicings (2)
About
The E6/9 (E–G♯–B–C♯–F♯) combines the warmth of the 6th with the openness of the 9th, deliberately omitting the 7th. This keeps the chord stable and resolved — unlike extensions that include a 7th, it does not imply harmonic motion. It is a rich tonic color used in jazz, R&B, and gospel as a final or resting chord. Both the C♯ and F♯ are essential to the sound; the 5th can be omitted in compact voicings. On guitar, spread voicings that separate the 6 and 9 allow both extensions to speak clearly without muddiness. Compared to EMaj9, the 6/9 is warmer and more grounded; compared to Eadd9, fuller.
Chord diagrams
E 6th Added 9th voicing charts — tap a sheet to open it full size to save or print.
Similar chords
Chords sharing two or more notes with this one, ranked by overlap.
Scales containing this chord
- E Lydian (I)
- E Major (I)
- E Major Pentatonic (deg 1)
- E Mixolydian (I)
- A Lydian (V)
- A Major (V)
- A♭ Locrian (VI)
- A♭ Natural Minor (VI)
- A♭ Phrygian (VI)
- B Dorian (IV)
- B Major (IV)
- B Melodic Minor (IV)
- B Mixolydian (IV)
- B♭ Locrian (V)
- D Lydian (II)
- D♭ Blues (deg 2)
- D♭ Dorian (III)
- D♭ Minor Pentatonic (deg 2)
- D♭ Natural Minor (III)
- D♭ Phrygian (III)
- E♭ Locrian (II)
- E♭ Phrygian (II)
- F♯ Dorian (VII)
- F♯ Mixolydian (VII)
- F♯ Natural Minor (VII)
Scales whose notes include every chord tone. The Roman numeral (or scale degree) marks the chord root’s position in the scale.
